"Under the influence of modernity, the Church became obsessed by definitions and seamless doctrine. Modernity was based on a scientific and rational reasoning that everything coud be proven by human experimentation and that this exploration of the scientific field could come up with a superior world and a greatly improved human being. In many ways, this worldview was seen as a huge threat to the mystery of faith. Modernism was driving out the mysteries and belief in a supernatural unseen world, one that was being replaced by a world that could be explained in clear scientific terms. That Christianity should be taken captive by such a system of thought seems a little incongruous, but it led to a couple of centuries of clear systematic theology, apologetics and an overemphasis on the word spoken and written in the communication of the Christian truth. Most of these things in themselves are great aids to Christianity's case in the world, but the loss of mystery, experience and any artistic representation of the Gospel was detrimental.
The Bible uses a wide array of creative ways to communicate truth: law, history, poems, songs, literature, lament, prophesy, proverbs, dreams, angels, miracles, parables, preaching, epistles and visions. When the evangelicals of the world decided that the Word preached was God's most efficient way of communicating, they overlooked the fact that when Jesus was born, God was saying, among other things, that those ways were not sufficient and that the Word had to become flesh (John 1:1, 14). God's Word is much more than words. Modernity coerced Christianity into taking the flesh and making it into words again. Art suffered. It was not a clearly defined and conclusive kind of rationalism. It left feelings hanging. Stories or songs might stress some points of theological truth and fail to cover other aspects of the Gospel. They missed the fact that Jesus left the crucial doctrine of atonement out of the Parable of the prodigal son (Luke 15:11-32). Jesus, in fact, was much more an artist than a preacher, preferring stories to open the truth and in sometimes oblique ways promising the disciples that those with ears to hear would hear. It could be said that the only writer in the Scripture with any interest in theological definition is the apostle Paul, and though we thank God for him and the theological explanation of his letters, we must never lose the balance between this and art."
-- Steve Stockman, Walk On: The Spiritual Journey of U2
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